Trinity Sunday

Once an earnest young man approached the Zen master and said, “Tell me what God is like.”

“Do you see the sun?” the Master began.

The young man raised his eyes towards the sky, but the Master said, “No, do not look at the sun or you will damage your eyes. Instead, hold out your arm and roll up your sleeve.” The young man did as he was directed.

“Do you feel the sun?” asked the Master.

“I do,” nodded the young man, somewhat mystified.

The Master left him.

The Cloud of Unknowing is a fourteenth century book by an unknown English author.

In the book the descriptive phrase is used, “the work of love”, as the individual’s search for their God.

The author writes “For silence is not God, nor speaking; fasting is not God, nor eating; solitude is not God, nor company; nor any other pair of opposites. God is hidden between them and cannot be found by anything your soul does, but only by the love of your heart. God cannot be known by reason, nor by thought, caught, or sought by understanding. But God can be love and chosen by the true, loving will of your heart.”

Maybe, Trinity Sunday is a reminder to us to find God, “hidden between them”!

The author of the First Letter of St. John writes bluntly, “God is love, and those who abide in love abide in God, and God abides in them.” (1Jn 4: 16).

In A.A. Milnes’s book called “Winnie the Pooh, Piglet asks, “how do you spell love?”, to which Pooh replies, “You don’t spell it, you feel it!”

Trinity Sunday is a day to forget the ‘spelling’ and enjoy the ‘feeling’!

Pentecost

Christian Pentecost celebrates the event in which the Apostles “were all together in one place: And suddenly there came a sound from heaven, as of a mighty wind coming, and it filled the whole house where they were sitting. And there appeared to them parted tongues as it were of fire, and it sat upon every one of them: And they were all filled with the Holy Ghost…” (Acts 2:1-4).

Until the 12th century the images of Pentecost presented only the Apostles as gathered in the one room.

Beginning in the 12th century Pentecost images more and more frequently put the Virgin Mary in the centre of the image among the Apostles. Often St. Peter will be on her right and St. John on her left. Her inclusion imitates the pattern set by almost all Ascension images from at least the 6th century. Mary is not mentioned in scriptural accounts of the Ascension, but medieval commentators explained she was there as a type of the Church.

By the end of the Middle Ages her presence is just about mandatory, especially with the development of the Rosary prayer.

The inclusion of Mary transforms the “meeting room” from a ‘man cave’ to a symbol of a true Christian community – that is, gathered around the feminine! As we continue to gather in the process of Synod gatherings, a suggestion I offer is that a statue, or symbol of Mary – of the feminine be centre place.

An image captured in all Christian iconography of Pentecost I have found includes the tongues of fire, one settled on the head of each person present. A close inspection of such iconography shows the flame very near to the top of the head – close enough to get burnt! Also, fire to keep alive needs fuel. Which offers the question, am I prepared to be burnt by the fire of God? Also, what fuel am I prepared to give up enabling the fire of Pentecost to continue to burn?

Artists rarely try to suggest the “mighty wind.” An exception is an illumination in the Berthold Sacramentary (13th century), where allegorical figures at the four corners pour winds from large jars.  The Berthold Sacramentary is an illuminated manuscript that was produced in Weingarten Abbey in the first quarter of the 13th century. Weingarten is a Benedictine monastery. Today it is in the Morgan Library in New York.

The second image is a Champleve enamel plaque from the mid-12thC which depicts only the apostles present. The plaque is housed at The Cloisters, New York, NY.